e-Book Cover Design Awards, November 2012

by Joel Friedlander on December 17, 2012 · 47 comments

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Welcome to this edition of the e-Book Cover Design Awards. This edition is for submissions during November, 2012.

Here’s what we received:
95 covers in the Fiction category
16 covers in the Nonfiction category

Award Winners and Listing

I’ve added comments (JF: ) to many of the entries, but not all. Thanks to everyone who participated. I hope you enjoy these as much as I did. Please leave a comment to let me know what you think, too.

Now, without any further ado, here are the winners of this month’s e-Book Cover Design Award.

e-Book Cover Design Award Winner for November 2012 in Fiction


Laura Rahme submitted The Ming Storytellers designed by Caryn Gillespie. “It is with pleasure that I submit the cover of The Ming Storytellers for your consideration in this competition. The Ming Storytellers was released on Amazon Kindle in July 2012. Its cover is the work of designer, Caryn Gillespie. The artwork is intended to evoke the dark, mysterious and oriental themes of the novel. The female representation is sensual and introspective in a manner that recalls the beautiful and strong female protagonist. There is an emphasis on the ocean which evokes far away journeys -the main male character being the famous Chinese admiral, Zheng He- along with the idea of a spiritual journey. The dark blue color scheme and the burning buildings in the background aim to convey the depth and intense journey that is The Ming Storytellers.”
ECDA-Fiction-November-2012-plaqueJF: Just love this cover and the evocative illustration. Even though the illustration is complex it maintains our focus, drawing us into the story. And although I would like to “bump up” the author’s name a bit, the dimensionality added by having the woman’s figure arising from a dark sea adds even more drama. Fantastic job.

e-Book Cover Design Award Winner for November 2012 in Nonfiction


Sandra Novacek submitted Border Crossings: Coming of Age in the Czech Resistance designed by Kimberly Glyder.
ebook cover designJF: This cover is a terrific example of how to put together historical images to make a cohesive whole. In the hands of a talented designer, all the elements have been carefully employed to tell a story but without taking away from the impact of the design. A real winner.

Fiction Covers


Camille LaGuire submitted 5 Twists designed by Camille LaGuire. “This is a new cover for an old book. I had noticed that my short story covers were looking scattered and incoherent – that that made my overall body of work look scattered and incoherent. I decided to do a template for the shorts. Something which would look rough and frivolous to differentiate the minor works from the novels – but which would be easy to replicate and also still be attractive.”

5 Twists
JF: Another great design from a previous winner here. Strong type choices, simple colors and a bit of whimsy combine into a real winner, and one that’s easy to distinguish from run of the mill covers.


Joe Prentis submitted Abraham’s Bones designed by Joe Prentis.

Abraham's Bones


Tracy R. Atkins submitted Aeternum Ray designed by Tracy R. Atkins. “I wanted a cerebral cover with strong branding for my novel with themes of connected high-technology, space travel, and family bonds. I felt that the digital family-tree graphic was a simple and fitting.”

Aeternum Ray
JF: Lovely graphic that needs stronger typography to really shine.


Malcolm Garcia submitted Al Kibar designed by Malcolm Garcia. “I wanted readers to know where my book was set, so I used the Syrian flag. But I also wanted to pique people’s interest, so I changed the stars on the flag to radioactive symbols.”

Al Kibar
JF: Clever idea, but the cover is disjointed, and the teeny margins on the sides of the flag should be avoided.


Sheena Lambert submitted Alberta Clipper designed by www.designforwriters.com.

Alberta Clipper
JF: Lovely and appropriate.


Graham Wilson submitted An Island Between Two Shores designed by Graham Wilson. “I hope you like my cover – I tried to make a design that was readable as a thumbnail sized graphic. Many thanks, Graham”

An Island Between Two Shores
JF: Brilliant and effective, a great balance between the strong type, the illustration, and the negative space of the cover. Needs a rule around it to prevent bleeding onto the page.


Rene Folsom submitted Apocalypse: An Anthology by Authors and Readers designed by Rene Folsom. “This anthology originally began during a writing contest. The short stories were so good that the editor, Cynthia Shepp, who gave the contest decided to publish the works and promote the new, as well as veteran, authors involved.”

Apocalypse: An Anthology by Authors and Readers
JF: Hey, that’s great. And this cover is well up there on the creepy scale, nicely done.


Laurie London submitted ASSASSIN’S TOUCH designed by Patricia Schmitt (Pickyme). “I asked Trish for a cover that would appeal to readers of paranormal romance. Since it’s the first in a series, I also wanted a branded look that I can use in the other covers.”

ASSASSIN'S TOUCH
JF: She really came through for you, it looks great.


Spike Pedersen submitted At First Light designed by Damonza. “I am a big fan of Dasmonza’s work, and I felt he did a great job on my book cover.”

At First Light
JF: You and me both. Interesting to see the designer getting creative with the title type, but also notice how Damonza always manages to focus our gaze exactly where he wants it. Well done.


Will Overby submitted August designed by Will Overby.

August
JF: Very strong. Good font and color choices come together to make an atmospheric and attractive cover.


Stuart Taylor submitted Austin designed by Stuart Taylor.

Austin
JF: The drawing has promise but it would take a designer to do it justice.


Bonnie Loshbaugh submitted Beauty and the Beast designed by Bonnie Loshbaugh. “Background photo from flickr user Celia Chamizo, under a creative commons license.”

Beauty and the Beast


Esther Byrt submitted Beyond Betrayal designed by Esther’s Designs. “This is one of my favourite covers.”

Beyond Betrayal
JF: It’s not easy to get all these images to work together without squabbling, and here it works quite well.


Alex Lukeman submitted Black Harvest designed by Neil Jackson. “Cover by Neil Jackson”

Black Harvest


Alex Lukeman submitted The Lance designed by Neil Jackson. “Cover by Neil Jackson”

The Lance


Alex Lukeman submitted The Seventh Pillar designed by Neil Jackson. “Cover by Neil Jackson”

The Seventh Pillar
JF: These three covers (above) show how to create a strong series identity. But when I got to the third I really had to wonder why the color of the fonts had reversed, a bit of incongruence.


L.C. Chase submitted Catalyst designed by L.C. Chase.

Catalyst
JF: I like both this cover and Chasing Demons, below. Note how they share exactly the same elements, and deal with them in similar ways. Both end up with very effective and distinctive ebook covers.


Melissa Garcia submitted Chasing Demons designed by Neri Garcia.

Chasing Demons


Justin Swapp submitted Cigars for Sawyer designed by Justin Swapp.

Cigars for Sawyer


Jaimie Admans submitted Creepy Christmas designed by Jaimie Admans. “I have tried to go for an eye-catching, festive cover, featuring the good santa (a character in the book) and a creepy looking font… Would love to know what you think!”

Creepy Christmas
JF: Love the layout, but there isn’t anything very creepy to me. I think you need much stronger type, something gothic to contrast with that jolly Santa.


Gabacho Trece (Matt Crane) submitted Dark Rider Of The Apocalyptic Darkness designed by Gabacho Trece. “I am an indie author who makes a living as a graphic designer. I designed this cover to represent the two main characters in my novel. The cover design is intended to create some curiosity and intrigue with the imagery of a cowboy riding an elk while wielding a sand wedge tomahawk.”

Dark Rider Of The Apocalyptic Darkness
JF: Beautiful and distinctive, I like the unity between title type and illustration, although some of the finer points in the drawing may get a bit lost at smaller sizes. And the author’s name is pretty small, don’t you think?


Charles Ray submitted Dead Man’s Cove designed by Charles Ray, photographer, using the CreateSpace Cover Creator.

Dead Man's Cove


Tom Lichtenberg submitted Death Ray Butterfly designed by Tom Lichtenberg.

Death Ray Butterfly
JF: Quite an upgrade from the paperback cover, I love the psychedelic treatment of the lighter that really snares our attention.


Sally Harris submitted Diary of a Penguin-napper designed by Andrew Brown, Design for Writers.

Diary of a Penguin-napper
JF: Love it, cute and it really stands out.


Lori Hart Beninger submitted Embracing the Elephant designed by Longfeather Book Designs. “Cover “illustration” is a photo (Tiffany O’Brian) rendered by PhotoShop (by Anda Beninger) to add the sunset and look like a painting for a more 1800′s feel. Colors were adjusted by Longfeather Book Designs.”

Embracing the Elephant
JF: Very beautiful and evocative but it might be too self-effacing to do its job?


Angela Yuriko Smith submitted End of Mae designed by Angela Yuriko Smith. “Is that the correct way to submit the cover url? I couldn’t find a
stand alone link for it. Thanks!”

End of Mae


Paul Etherington submitted Forgotten Lancashire and Parts of Cheshire and the Wirral designed by Paul Etherington. “This is a parody local history book, so the cover needed to look sufficiently like a local history book but with enough to merit it needing a second glance.”

Forgotten Lancashire and Parts of Cheshire and the Wirral
JF: It works, and the “99% Fact Free” sticker cues us in smartly.


Daniel Grubb submitted Fusion designed by Bart Dziok. “Bart has been designing covers for us for a number of months now and along with this anthology cover, has designed all Penny Grubb’s crime covers. Bart works in mixed media and usually uses an air brush and pencils for his covers. Bart hails from south east Poland and, as well as these covers, has designed clothing, cafe interiors, painted cars, personalised BMX and skate equipment and is currently working with an international award winning crime writer on a graphic novel project.”

Fusion
JF: Interesting illustration, needs a major typography upgrade.


Geoff Gore submitted Gabriel’s Trumpet designed by Jill Creighton.

Gabriel's Trumpet


L.C. Chase submitted Gold Digger designed by L.C. Chase.

Gold Digger
JF: I like the clean look of this cover and the story it promises.


Lynnette Bonner submitted High Desert Haven designed by Lynnette Bonner.

High Desert Haven


Natalie Ward submitted I Love You to Death designed by Sarah Hansen at Okay Creations.

I Love You to Death
JF: A strong design that comes across as a bit cold, and the type could be larger (and watch out for that dark-red-on-black, the type tends to disappear).


Lexi Revellian submitted Ice Diaries designed by Lexi Revellian.

Ice Diaries
JF: Yes, this cover has a beautiful “finish,” like a finely rubbed piece of furniture. Good storytelling, control of the eye-path and some built in drama make it work.


L.Leander submitted INZARED, Queen of the Elephant Riders designed by Melissa Garlington/Michael Latta. “Thanks!”

INZARED, Queen of the Elephant Riders
JF: Love the concept, but the little images are getting lost.


Alki Nea submitted Kea, The Third Way designed by Alki Nea.

Kea, The Third Way


Alma Alexander submitted Letters from the Fire designed by Sarah-Jane Lehoux.

Letters from the Fire


Michael Langlois submitted Liar’s Harvest designed by Vincent Chong. “We had to go back to the drawing board for a second attempt on this one, but it was worth it. Hope you agree! Mike”

Liar's Harvest
JF: Strong image, but there’s an awful lot going on here.


Melda Beaty submitted Lime designed by Lynnette Gallowa.

Lime
JF: A haunting image and stylish typography that’s just too hard to read.


Naja Tau submitted Lost Atlantis: Splitting Sand designed by Naja Tau. “This is my first novel! I designed the cover as well. A lot of people aren’t into it, but I mostly like it (except how the name also looks like Raja or Aja at first glance… I couldn’t figure out anything sexier). Besides, when I switched this cover out with a more conventional, straight-forward image, it didn’t sell even a tenth as well. I considered removing my name all together and blowing up the size and design of the tile to dramatic proportions, but I decided I’m just not that edgy. The two “objects” in the design are a deep sea angler fish and a jellyfish. I wanted to give the typography a “tagger” feel since the novel took so much inspiration from psychology text books about the effects of urbanization and poor nurturing in childhood as they compound with everyday adult stressors. Thank you!”

Lost Atlantis: Splitting Sand
JF: Naja, I admire your effort, but this clearly doesn’t work very well, and any time you need someone to tell you what those shapes are and how they relate to the story, it’s a problem.


Elizabeth Cage submitted Love Bites designed by Klaus Hartleben. “I wanted to keep the food imagery of my first book in the series (Second Helpings) and for the typeface to help “brand” the titles in the series. It was great to work with a professional designer.”

Love Bites
JF: Wow. Okay, focus: yep. Clarity, sure. Economy, mood, yes to all of those. Well suited to the ebook environment, it’s a winner.


Terri J. Haynes submitted Love Simplified designed by Terri J. Haynes.

Love Simplified
JF: Compare to the title immediately above. Both books have a 2-word title, and the first word is “Love.” Everything Love Bites has, this cover lacks. There’s no clear focus, message or unifying element, and the eye just wanders around. Even the type is confused. An educational comparison.


Grant Overstake submitted Maggie Vaults Over the Moon designed by CreateSpace. “CreateSpace collaborated with me on this cover, which captures the meme and theme of “Maggie Vaults Over the Moon” in a dramatic and artistically pleasing way. I think the design team deserves credit for going the extra mile in making this cover authentic and true to the story. Thanks for considering it.”

Maggie Vaults Over the Moon
JF: Interesting concept, but using three illustrations that each have a different drawing style is a no-no for me.


Bill H Moore submitted Man With No Name designed by Bill H & Ephraim Moore.

Man With No Name
JF: Just. Don’t. Do. It.


Rachel Cole submitted Max Under The Stars designed by Littera Book Designs. “My inspiration for this cover was the old Barnum & Bailey circus posters.”

Max Under The Stars
JF: My mother always told me not to wear stripes with stripes, and this cover shows you why. A strong concept undone by too many graphic elements and colors, it could be simplified and focused, which would transform it into something special.


Jordan Stratford submitted Mechanicals designed by Jordan Stratford. “Illustration by Ally Fell”

Mechanicals
JF: Nicely atmospheric, good job.


Loretta Boyer McClellan submitted Misthaven of Maine designed by Loretta McClellan/McClellan Creative. “Cover design includes original watercolor painting, titled, “Misthaven;” series title logo design; as well as customized author name font.”

Misthaven of Maine
JF: Gorgeous, Loretta, with attractive branding and great illustrations.


Loretta Boyer McClellan submitted Misthaven of Maine: Journey to Beyond designed by Loretta McClellan/McClellan Creative. “Cover design includes watercolor painting, titled, “Boathouse;” book series title logo design; and customized author font. lorettaboyermcclellan.com mcclellancreative.com”

Misthaven of Maine: Journey to Beyond


ER Pierce submitted Mistress of Pain and Illusions designed by ER Pierce. “I love your thoughts.”

Mistress of Pain and Illusions


George Winston Martin submitted My Brother, My Friend, My Enemy designed by George W. Martin. “This is my first novel, and also first attempt at designing a book cover. I presented several variations to friends with graphic experience before choosing this one. I have always liked the starkness of the photograph.”

My Brother, My Friend, My Enemy
JF: One of the big problems with this cover is that it just doesn’t look like a novel. I would mistake it for a history.


Renata F. Barcelos submitted My Sore Hush-a-Bye designed by Ágata Maria C. Barcelos.

My Sore Hush-a-Bye


Teddi Black submitted Mythos: An Arthurian Miscellany designed by Teddi Black. “The author asked me to design a e-Book cover around a photograph of a sword which was actually a letter opener.”

Mythos: An Arthurian Miscellany
JF: The competition between the two sword images makes this cover more confusing than it needs to be. It would be more effective if you removed the sword in the cloud-knight’s hand.


Paula Cappa submitted Night Sea Journey, A Tale of the Supernatural designed by Gina Casey and Todd Casey.

Night Sea Journey, A Tale of the Supernatural


K. Baskett submitted No Greater Illusion designed by K. Baskett. “I took the photo and designed the cover myself – this was my first shot at doing anything like this.”

No Greater Illusion


Kit Foster submitted Nowhere Safe designed by Kit Foster.

Nowhere Safe
JF: Love the energy in this attractive cover from Kit Foster.


C. Humphrey submitted Once More With Feeling designed by C. Humphrey.

Once More With Feeling
JF: There seem to be over 20 books with this same title currently for sale. This one is a romance set in San Francisco.


Tom Evans submitted One Hundred Years of Ermintrude designed by Me. “Note that this was specifically designed to work well on greyscale ereaders, it replaces an earlier colour cover from the original imprint which was in print and was landscape oriented.”

One Hundred Years of Ermintrude
JF: Nice illustration, and it will render well on grayscale readers.


A.G. Claymore submitted Orbital Decay designed by Andrew Claymore. “Number four in a series that is being updated using the advice of CL Smith from the Humble Nations site. I re-made that first cover using Blender, and sales went up by a factor of 30! In this one, I’m trying to abstract the idea of an orbital station where bad things are happening – Life support failure (frost) and violence (hint of blood).”

Orbital Decay
JF: A.G. that’s an amazing endorsement for getting your cover right! This one is right on for its sci-fi genre, I would keep taking that advice from CL Smith.


SJ Kincade submitted Paws of Death designed by SJ Kincade. “A simple design was chosen to give maximum visual impact with only the barest of information (not even the author’s name is displayed).”

Paws of Death
JF: One of the most interesting and gripping covers I’ve seen, marred only by the weak treatment of the title. With stronger type, this would be even more amazing than it is.


Mary Sutton submitted Power Play: Hero’s Sword Volume 1 designed by Jennifer Domani.

Power Play: Hero's Sword Volume 1


JJ Marsh submitted Raw Material designed by JD Smith.

Raw Material


Sidney Elston submitted Razing Beijing: A Thriller designed by Juli Watson.

Razing Beijing: A Thriller
JF: A good thriller cover, might be stronger without the eye sparkle.


Terah Edun submitted Red Madrassa designed by Amalia Chitulescu. “This is the cover for my Young Adult fantasy novel. I was looking for a unique design that conveyed the epic fantasy genre and the spunk of my main character.”

Red Madrassa


Bev Robitai submitted Rusty & Slasher’s Guide to Crime designed by Bev Robitai.

Rusty & Slasher's Guide to Crime
JF: Interesting choice to use cartoons for the cover of a comic novel, not sure that it works.


Monica Shaughnessy submitted Season of Lies designed by author. “Thriller about hunting season.”

Season of Lies


Elizabeth Cage submitted Second Helpings designed by Klaus Hartleben. “I wanted a simple, clean design for this collection of erotic stories. I’ve had very positive feedback from readers about the design and of the 3 erotic collections, this one sells the best, and I’m sure the cover has helped with this.”

Second Helpings
JF: See also Love Bites above. This one matches well and may have more tongue than I’ve ever seen on a book cover. Who knew tongue would sell so well?


Matt Harrison submitted Short Stories – 2012 Valley View Spectrum Type II Stories designed by Matt Harrison. “I taught a bunch of elementary students how to create ebooks in a 6 week course at their school. The final product is this ebook that we published on Amazon.”

Short Stories - 2012 Valley View Spectrum Type II Stories
JF: Wat to go! Turning out students who already know how to publish.


Marius Hancu submitted Simon and Hiroko designed by Marius Hancu. “In Kamakura, the old capital of Japan The Genpei Ponds The Azuma Kagami says that “In April 1182 Minamoto no Yoritomo told monk Senkō and Ōba Kageyoshi to have two ponds dug within the shrine.” According to another version of the story, it was Yoritomo’s wife Masako who, to pray for the prosperity of the Minamoto family, had these ponds dug, and had white lotuses planted in the east one and red ones in the west one, colors which are those of the Taira and Minamoto clans. From this derives their name.”

Simon and Hiroko
JF: Love the history, but where are the ponds? This cover suffers the fate of many like it: no reason to pick it up and no “hook.”


Bettye Griffin submitted Something Real designed by Young Creations.

Something Real


C L Raven submitted Soul Asylum designed by Ryan Ashcroft of Fireclaw Films.

Soul Asylum
JF: The hand lettering and image suit the book’s horror genre quite well. The idea is to signal readers of this type of book that they should have a look, and you’ve succeeded nicely.


J.M. Ney-Grimm submitted Star-drake designed by J.M. Ney-Grimm. “I wanted to bring the title alive: stars and a dragon along a sense of magic and mystery.”

Star-drake


Kirk D. Relford submitted The Boulder Boys, the Beginning designed by Self. “Prepared items for technician who put into format for publication name was Dave Santillanes.”

The Boulder Boys, the Beginning
JF: An interesting use of Copperplate can’t overcome the visual confusion caused by too many images that cause the cover to be less than the sum of its parts.


Justin Swapp submitted The Codex designed by Justin Swapp.

The Codex
JF: Graphically strong, I was surprised to find out this book is stories of demon hunters, not the futuristic or sci-fi theme I thought it would be from the cover.


Damian Fanella submitted The D-Word: Divorce Through a Child’s Eyes designed by Damian Fanella. “I’ve provided a different link to the cover, as Amazon has the incorrect image displayed for the book. The version they have has incorrect colors. If you need to verify that it’s actually published here is the Amazon link: http://www.amazon.com/The-D-Word-Divorce-through-ebook/dp/B0094H8IRC”

The D-Word: Divorce Through a Child's Eyes


Mike Smith submitted The Last Praetorian designed by AiTuDou.

The Last Praetorian
JF: Very attractive and lots of atmosphere.


Sandra Gulland submitted The Many Lives & Secret Sorrows of Joséphine B. designed by Kris Waldherr. “Kris’s challenge was to design a template that would work for the four initial novels published, and one that could be used for future publications. In essence: a brand.”

The Many Lives & Secret Sorrows of Joséphine B.
JF: While this cover has a lot of good things going for it, if the subtitle was moved down it would not appear that the woman was staring at it, which I find a bit disconcerting. This is where you want to positively employ negative space.


Bernard M. Cox submitted The Memory of a Salt Shaker: A Short Story designed by Sabine Krauss. “Cover designed by Sabine Krauss by a photo by artist Robyn Oliver. Sabine Krauss’ designed work can be found at http://home.comcast.net/~binchen6/ Robyn Oliver’s artwork can be found at http://www.robynoliver.com/”

The Memory of a Salt Shaker: A Short Story
JF: Nicely done.


Somerset McCoy submitted The Mirrored Gate designed by Erin Dameron-Hill.

The Mirrored Gate


Teddi Black submitted The Mountains of Channadran designed by Teddi Black. “I designed this book cover for author and artist, Susan Dexter, for the re-launch of her backlist trilogy, Wizard’s Destiny, originally published by Ballantine Del Rey. The Mountains of Channadran is the 3rd book in the series. The cover is an original pastel by Susan Dexter. I added the background and fonts. My goal was to achieve an icy and frozen water effect.”

The Mountains of Channadran


Michael Siemsen submitted The Opal designed by Michael Siemsen. “Designed to follow the hand print theme from previous book in series, while evoking a darker tale in two distinct environments.”

The Opal
JF: The strong typography really makes this work.


Dave Cornford submitted The Queensberry Rule designed by Dave Cornford and Sonia Powell. “When I found the photo, I thought straight away that is was perfect. My first drafts were OK, but I couldn’t put my finger on what was wrong. I asked a skilled friend for help, and she made 5 small suggestions – these transformed the cover, so she gets plenty of credit for the end result.”

The Queensberry Rule
JF: Nicely done. The strong verticality of the design is complemented by the tall thin type, too. Not sure you need the somewhat distracting little red dot at the bottom, but well done overall.


Jim Cliff submitted The Shoulders of Giants designed by Jim Cliff.

The Shoulders of Giants
JF: Great example of how a designer can take a fairly mundane image and transform it into a compelling cover. Probably a bit overboard on the type effects, but I’m quibbling, because this is really good.


Jessica Fortunato submitted The Sin Collector designed by Jessica Fortunato.

The Sin Collector


Paul Cain submitted The Studio Game designed by Graeme Clarke.

The Studio Game
JF: This clever design works much better on the paperback version.


J.M. Porup submitted The United States of Air designed by Derek Murphy. “Have received many positive comments on this cover…”

The United States of Air
JF: And I can see why. Particularly like the touch of the gloved hand. Nice!


Charles Ray submitted Till Death Do Us Part designed by Cover photo collage by Charles Ray, using CreateSpace’s Cover Creator..

Till Death Do Us Part


Ellis Vidler submitted Time of Death designed by Ellis Vidler. “The suspense novel, set on the Carolina coast, is about a psychic artist who draws scenes violence. I am the designer.”

Time of Death


Karen Myers submitted To Carry the Horn designed by Self. “This is a fantasy novel, set in a fae otherworld. The cover painting is by Ann Mei, but the rest of the design is mine. There are small ink-scroll spacers for Chapter and Scene dividers, as well as other ink-drawings for the title page. I’ll be using Ann Mei’s paintings for every book in the series (this is the first).”

To Carry the Horn
JF: Terrific cover and concept for a series. These surrealistic images from a very talented artist combine well with the distinctive typography. Can’t wait to see more!


Sarah Holroyd submitted Trip of a Lifetime: An Anthology designed by Sarah E. Holroyd. “I designed the cover of this travel-themed anthology around the art deco travel posters of the early 20th century, using one of those posters reflected in the mirror, and a deco-style typeface.”

Trip of a Lifetime: An Anthology
JF: Quite a nice effect, even the bowler hat adds to the period atmosphere.


Richard Sutton submitted TROLL designed by Richard Sutton. “I was lucky enough to find the perfect stock illustration and photo image I could set up for a rough contrast that implied conflict, but also a pensive mood. I hope it works. The fill in the Impact font used for the title was a photo of lichen on bark, for a rugged style that also had a strong organic nature.”

TROLL


Sarah Bartsch submitted Unforeseen: Journey Through Rust and Steam designed by Sarah Bartsch.

Unforeseen: Journey Through Rust and Steam


Monica Shaughnessy submitted Universal Forces designed by author. “YA Romantic Thriller. An astronomer’s daughter and a preacher’s son fall in love with tragic results.”

Universal Forces


Nora Gaskin submitted Until Proven: A Mystery in Two Parts designed by Kelly Prelipp Lojk.

Until Proven: A Mystery in Two Parts


SR johannes submitted Untraceable designed by VLC Photo.

Untraceable
JF: The image grabs us, and the distinctive type completes a well-focused and magnetic ebook cover.


Alex Lukeman submitted White Jade designed by Neil Jackson. “Cover by Neil Jackson”

White Jade

Nonfiction Covers


Angie Haider submitted A Life Out of Context designed by Angie Haider. “I am a first time author who has just released my first book. I used my background in graphic design to design the cover as well as feedback from my facebook friends. Thank you for taking the time to review my entry.”

A Life Out of Context
JF: Angie, this cover would be much better with much stronger title typography.


Everett D. Wilson submitted Bury Me In My Waders designed by Everett D. Wilson. “see my website for more info: http://www.camaradodesigns.com and http://www.donewebster.com”

Bury Me In My Waders
JF: A good idea and strong image that are being wrestled into submission by an overwrought background texture.


Ben A. Carlsen submitted Confessions of an Overspender designed by gregory j. borowski.

Confessions of an Overspender


Benjamin Tomes submitted Confessions of the Unmedicated Mind; Growing up with ADHD, before ADHD. designed by Benjamin Tomes and Nick Hetzel.

Confessions of the Unmedicated Mind; Growing up with ADHD, before ADHD.
JF: Accurately displays the chaos the author is trying to communicate.


Matt Harrison submitted Ebook Formatting: KF8, Mobi & Epub designed by Matt Harrison. “For NaNoWriMo I decided to finish a book to help ebooks suck less. I’ve seen my fair share of horribly formatted ebooks. Hopefully this will help deal with that. As such the cover has been optimized to display on ereaders, ie large font, simple design. Cheers!”

Ebook Formatting: KF8, Mobi & Epub
JF: And the clean design and execution are entirely at home for this kind of how-to book.


Emmanuel A. Simon submitted G is for Gadget: An interactive alphabet catalog for young techies designed by Emmanuel A. Simon. “We used a fun, light, colorful design for this juvenile alphabet book. The floating letters are also a bit nostalgic of old letter posters I recall seeing as a child. The title font (also used throughout the book) is OpenDyslexic font. An awesome project making reading easier for people with dyslexia. http://dyslexicfonts.com/”

G is for Gadget: An interactive alphabet catalog for young techies
JF: Great use of this font, which I’ve featured here on the blog. Very nice and appropriate cover that needs a rule around it to set it off from the white background.


Lawrence Winkler submitted Hind Cartwheel designed by Lawrence WInkler.

Hind Cartwheel


Bruce Gaston submitted Irish History Compressed designed by http://irishhistorycompressed.wordpress.com/. “I had a photo I wanted to use and a logo already. After trying various designs I realised that the orange tint of the photochrom print placed above the white background of the title gave me two colours of the Irish flag, which strongly indicated green as the right choice for the bottom section.”

Irish History Compressed


Leonard Kinsey submitted It’s Kind of a Cute Story designed by Pentakis Dodecahedron. “This is the autobiography of Imagineer and Disney Legend Rolly Crump. It’s a full-color 8.5×11 coffee-table style book.”

It's Kind of a Cute Story
JF: And the colors, layout and type are all reminiscent of the 1950s. The cover has survived a large reduction in size quite well.


Sundi Jo Graham submitted Liar Liar: Is Your Life Based on the Lies You Believe? designed by Donya Dunlap.

Liar Liar: Is Your Life Based on the Lies You Believe?
JF: Graphically a very clever cover that reminds me more of fiction than nonfiction.


Sandy L. Davis submitted Missives from Maravida: A Family’s Caribbean Sailboat Adventure designed by Self.

Missives from Maravida: A Family's Caribbean Sailboat Adventure


Brooks Jones submitted Planet Pouch: Simple Juice Pouch Bags Anyone Can Make designed by Brooks Jones. “So appreciate your comments each month. With this cover, I really wanted to convey the “look at all you’ll be able to make!” message. Looking forward to your suggestions, and thank you.”

Planet Pouch: Simple Juice Pouch Bags Anyone Can Make
JF: Yes, that’s a good idea but these complex and content-rich photos demand a strong, bold title that will tie them all together, and this one doesn’t do that.


Kit Foster submitted Poisonous and Venomous Animals of America designed by Kit Foster.

Poisonous and Venomous Animals of America
JF: Another terrific Kit Foster cover, here in the “Dorling-Kindersley” mode of design, which Kit has made work equally well in the ebook world.


Mark McGuinness submitted Resilience: Facing Down Rejection and Criticism on the Road to Success designed by Irene Hoffman. “I wanted a cover that would instantly convey the essence of the book, even as a thumbnail image on Amazon. I chose Irene because she has a knack for creating visual icons that communicate concepts in a fun and memorable way. I’m thrilled with the result and am getting a lot of positive feedback from readers.”

Resilience: Facing Down Rejection and Criticism on the Road to Success
JF: Yes, this will be recognizable even at a very small size.


Gordon A. Long submitted Why Are People So Stupid? designed by Self, with help. “The art is “The Wild Hunt” by Norwegian Peter Nicolai Arbo, 1872. With such a powerful image, I thought I’d design this one myself. I had help with the fonts from my editor, Elizabeth Wilson, and my designer, Dusty Hagerud, did some final tweaking to achieve his exacting standards.”

Why Are People So Stupid?
JF: The hands-down winner for “title of the month,” the cover would have been more effective if we could see what the figures are doing, but as it is they are too small even at this size. However, I admit to being intrigued by the “self-licking ice cream cones” and would read more to find out.


Well, that’s it for this month. I hope you found it interesting, and let other people interested in self-publishing know about the Awards. —Use the share buttons below to Tweet it, Share it on Facebook, Plus-1 it on Google+, Link to it! The next issue is January 14, 2013 and the deadline for submissions will be December 31, 2012. Don’t miss it! Here are all the links you’ll need:

The original announcement post
E-book Cover Design Awards web page
Submit your e-book cover here
Follow @JFBookman on Twitter for news about the E-book Cover Design Awards
Subscribe to The Book Designer Blog

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    { 40 comments… read them below or add one }

    Paul Etherington December 17, 2012 at 3:36 am

    Thanks for the feedback, Joel – much appreciated. We’ve had to resort to some bizarre marketing tactics to promote Forgotten Lancashire, our first self-published book – see http://www.tripemarketingboard.co.uk for an example!

    Reply

    Joel Friedlander December 17, 2012 at 10:32 am

    Tripe taken to a whole new level. I enjoyed the marketing copy quite a bit, but I can see how this would be a tough sell. But hey, that’s partly because you’ve done such a great job, isn’t it? Good luck with the book.

    Reply

    Paul Etherington December 17, 2012 at 10:53 am

    Thank you. It’s been a steep learning curve, but following your blog has taught us a lot – lessons we’ll want to apply to our next book. Forgotten Lancashire is slowly picking up good reviews – we launched a YouTube channel and have had over 3000 views since July (here’s one of our brief promos: http://youtu.be/EAUEBMUSMNQ).
    It’s tough getting heard above the noise in the media, but we got some great publicity when a couple of national UK papers picked up a press release and seemed to think the Tripe Marketing Board really existed.
    We know our book is only ever going to be a niche seller – it’s a cross between Monty Python and The Goons – and I’m not sure the humour (humor!) travels across the Atlantic. It’s available free on Kindle today, so maybe your readers can try it out and see what they think! (http://www.amazon.co.uk/Forgotten-Lancashire-Cheshire-Wirral-ebook/dp/B009TTQMFA) But they’d better be quick!
    Thanks again – much appreciated.

    Reply

    Paul Etherington December 17, 2012 at 11:58 pm

    Wow! Forgotten Lancashire has just made the No 1 spot in Free Kindle parody downloads! Thanks to all of your readers who have downloaded it – I hope they enjoy it!

    Reply

    Joel Friedlander December 18, 2012 at 10:25 am

    Fantastic, Paul. Tripe will never be the same.

    Sheena December 17, 2012 at 3:46 am

    Thanks for taking the time to consider ALBERTA CLIPPER. The main character is a meteorologist working in an investment bank in Ireland, and a barometer features in the story. That, together with the fact that the main characters are both under severe pressure for different reasons made it the perfect image for the front of the book.
    Sheena Lambert

    Reply

    Joel Friedlander December 17, 2012 at 10:33 am

    Sheena, even without knowing the story hooks on the cover, it works really well and you should be quite happy with the end result. Thanks for participating.

    Reply

    Jo Michaels December 17, 2012 at 7:51 am

    Great roundup of covers. Your comments are perfect. My design profs might suffer massive coronaries if they saw some of these but it’s good to see people trying new things. WRITE ON!

    Reply

    Joel Friedlander December 17, 2012 at 10:34 am

    Ah yes, but without those covers this wouldn’t be nearly as good as an educational resource, would it? Thanks for that, Jo.

    Reply

    Elizabeth Cage December 17, 2012 at 8:34 am

    Hi Joel – many thanks for your lovely comments about the covers for my books Love Bites and Second Helpings. I’m very happy with the end result and I really enjoy working with a designer, an experience I have never had with any of my trad published books.

    Reply

    Joel Friedlander December 17, 2012 at 10:35 am

    One of the real advantages of self-publishing. I’m convinced these covers will sell books, and they are good fun, too.

    Reply

    Bernard M. Cox December 17, 2012 at 12:12 pm

    Hi Joel,

    Thanks for including Sabine Krauss’s and Robyn Oliver’s cover for “The Memory of a Salt Shaker: A Short Story” in this month’s award. We found it difficult to come up with an image that would foreshadow the tone and contents of the book –a husband discovering that salt from an ordinary salt shaker contains the memories of his deceased wife– and still be simple yet evocative. Glad to read you thought it was nicely done. Thank you.

    Bernie

    Reply

    Terri J. Haynes December 17, 2012 at 1:22 pm

    Joel,
    Thank you for your comments on my cover, Love Simplified. You have definitely given me something to think about for my next cover.
    Terri

    Reply

    Brooks Jones December 17, 2012 at 5:05 pm

    Joel,

    Thanks for your comments on my cover design. Amazing how some of the rules have changed from the old days of print design, isn’t it?

    I appreciate getting honest feedback. Have a wonderful holiday!

    Brooks

    Reply

    Lynnette Bonner December 18, 2012 at 12:18 am

    Just wanted to say thanks for including my cover in this great list of designs.

    Reply

    Christopher Geoffrey McPherson December 18, 2012 at 8:23 am

    Joel: I really appreciate your monthly contest, even though I come to it as an author with zero talent in graphic design. The quality of the good designs (and even the paucity of it in the not-as-good designs) make me completely realize the value of a top-notch cover designer. I want to send a shout out to my designer (and previous e-Book Cover Design Award Winner) Matt Hinrichs and all the other designers who make our words look so good. Thank you for highlighting their work. Christopher

    Reply

    Spike Pedersen December 18, 2012 at 10:57 am

    I look forward every month to these awards Joel, and it’s Christmas this time!
    Thanks for the gifts.

    Reply

    Joel Friedlander December 18, 2012 at 11:08 am

    Thanks to all for commenting. The intent of these posts is educational, so it’s very gratifying to see the overall quality keep improving. Thanks also to everyone who submitted their covers, since you are directly helping your fellow indie authors. And happy holidays, too!

    Reply

    Sandra Novacek December 18, 2012 at 11:32 am

    Joel, I am grateful for The Book Designer’s recognition of Kimberly Glyder’s design for the new memoir Border Crossings: Coming of Age in the Czech Resistance. Going through the selection of a designer, the design process and approving the final design was quite challenging for a “new” publisher trying to learn, balance and decide so many things! The positive feedback is instructive and appreciated. Thank you for the opportunity to receive critical review, discuss design and share with others.
    Happy Holidays! Sandra

    Reply

    Joel Friedlander December 18, 2012 at 1:47 pm

    Great job, Sandra. Probably the best decision you made was hiring Kimberly in the first place. And thanks for participating.

    Reply

    Jim Cliff December 19, 2012 at 7:31 am

    Joel, thanks for your kind comments on my cover for The Shoulders of Giants. I’ve learned a lot from your site, and hopefully my next cover will be even better!
    Kind regards, Jim

    Reply

    ER Pierce December 19, 2012 at 7:49 am

    What an awesome assortment of covers, thank you for considering my short story, Mistress of Pain and Illusions. Some of the covers above are really fabulous!

    Reply

    Loretta Boyer McClellan December 19, 2012 at 11:01 pm

    Thank you Joel for taking time to evaluate so many covers, including mine as author/artist/designer for Misthaven of Maine and Misthaven of Maine: Journey to Beyond. I am enjoying the thrill of this experience in comprehensive creativity! Thank you so much for the kind words.

    Reply

    Loretta Boyer McClellan December 20, 2012 at 5:59 am

    Joel, I might add that you know you’re an #indieauthor when: You don’t just dream of repetitive keystrokes, but proofing & typography too…and know and use the entire Creative Suite…and keep a copy of The Chicago Manual of Style always within reach and…

    Thank you again for showcasing so many worthwhile, creative hats we wear.

    Reply

    Joel Friedlander December 20, 2012 at 1:57 pm

    Oh yes, that sounds just about right to me, too! Thanks, Loretta.

    Reply

    matt harrison December 20, 2012 at 5:47 am

    Thanks for the feedback Joel. Many of these covers are inspiring and your reviews are very useful!

    Reply

    Joel Friedlander December 20, 2012 at 1:59 pm

    Here’s the secret to a lot of the best covers, Matt, particularly for nonfiction titles like yours: better typography will always make a book cover stand out from its competitors. Thanks for participating.

    Reply

    Laura Rahme December 21, 2012 at 5:37 am

    Oh, wow, this is wonderful news! :)

    Thank you for the chance to participate in this competition, Joel and for the excellent insights you provide to both authors and designers.

    Best,
    Laura

    Reply

    Joel Friedlander December 27, 2012 at 9:09 am

    Congratulations, Laura, and thanks for participating.

    Reply

    Teddi December 24, 2012 at 6:10 pm

    Thank you for taking the time to comment on my cover for Mythos. I enjoy reading your reviews. Hopefully, my covers will get better.

    Reply

    Lea-Ellen December 27, 2012 at 3:23 am

    I love the cover for ‘Red Madrassa’ by Terah Edun.

    Lea-Ellen {night owl in IL}

    Reply

    Virginia Graphic Designer December 27, 2012 at 5:56 am

    Just stumbled onto this page and WOW! I agree that the Ming Storytellers e-book cover design is just fabulous!

    Reply

    Joel Friedlander December 27, 2012 at 9:09 am

    Thanks, we post a new contest every month, so I hope you’ll visit again.

    Reply

    Judith Heath December 27, 2012 at 3:33 pm

    Thanks for the opportunity to see these covers and your critiques. I am readying my fantasy novel for epublication and want to create a great cover for it. What should one expect to pay a cover designer for their expertise?

    Reply

    Joel Friedlander December 27, 2012 at 4:01 pm

    Hi Judith,

    That’s a difficult question to answer. Covers can range from less than $100 to $3,500+ for top-end designers. I suggest you find some of the designers you like in these posts and check their websites since many of them post their fees.

    Reply

    Laurie London December 31, 2012 at 12:13 pm

    Thanks, Joel, for evaluating and displaying the cover for Assassin’s Touch. I appreciate your opinion and am glad you think the cover works. One thing I forgot to mention is that I “tested” the cover in Facebook’s default image size to make sure the title was readable and that nothing looked strange. My cover designer did end up tweaking it as a result.

    Reply

    Lori Hart Beninger January 5, 2013 at 4:49 pm

    Joel,

    Lovely choice for the winner. Your comments are helpful as well. Thank you.

    LHB

    Reply

    Robin Lythgoe January 11, 2013 at 6:52 pm

    I always enjoying seeing these and reading your comments. “Ming Storytellers” looks gorgeous, and there are several others in the line-up that caught my attention. Choosing just one for each class would be difficult!

    Reply

    Bettye Griffin September 18, 2013 at 12:48 am

    Oops. I just resubmitted my cover for Something Real, thinking it had never appeared. Then I found it in the November 2012 listing, but curiously, it seemed to be the only cover that had no comments…? I’m sure this is just an oversight, but I really would like some feedback, the way everyone else got.

    Reply

    Joel Friedlander September 18, 2013 at 10:10 am

    Hi Bettye,

    I’d like to make sure you understand the lack of a comment on your cover was not an oversight. In fact, if you look more carefully at the post, you’ll find that of the 95 fiction covers submitted, 34 have no comments on them.

    It’s important for me to maintain my ability, as the sponsor of the contest, to comment or not as I see fit. Some months I comment on more covers, some months less.

    Since we don’t post covers twice, we won’t be putting Something Real in our upcoming post in October.

    However, after looking at the cover again, I can see that the cover is a bit confused, some of the type is unreadable, and it’s hard to understand what’s going on. It looks a bit “pasted together” and that’s not a good outcome. The treatment of the woman in the bottom have is especially crude, and it’s hard to look at this and come to the conclusion it’s a professional job. I would recommend a complete make over if possible.

    Hope that helps, and thanks again for participating.

    Reply

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