6 Things to Consider When Writing Promotional Copy for Your Book

by | Jun 30, 2014

By Karl Bunker

Promotional copy for our books isn’t necessarily something we think about as we’re writing them, but we should, and today Karl Bunker gives us a heads up about what we need to know when it comes time to actually write this copy. I think you’ll find this article helpful.

When you’re setting up your book for sale on Amazon or some other outlet, one of the tasks will be to enter a description of the book. This is where you put the promotional copy for your book, and the writing of this small block of text is one that many writers find difficult. After all, in a very few words you’re trying to write down the essence of your entire book, while simultaneously convincing people to buy it. Furthermore, there are some stylistic conventions to this book-description text, and if you stray from those rules your text will look amateurish and thus drive customers away.

In this article we’re going to address writing promotional copy for a fiction book; the rules for nonfiction promotional copy are different, although there are some points in common.

If your book is going to have a print edition, the description you write for its product page on online venders should also be appropriate for the “jacket copy” that goes on the back cover of the print book. You may want to write different jacket copy simply for the sake of variety, however.

The purpose of promotional copy is obvious from its name:

  • to promote your book
  • to make a sales pitch

Potential customers who arrive at your book’s online product page will often know little or nothing about the book or its author. They’ll be curious, but they’ll also be aware that there are literally millions of books in the world, and the odds are slim that your book will belong to the small subset that they’ll be interested in reading. Their hopes aren’t high; they’ll be looking for any small indication that your book belongs to that vast category of “not for me.”

So they’ll look at the title, at the thumbnail image of the cover, and if neither of those drives them away, they’ll probably look at the book description next.

What can you write that will keep these potential readers from clicking away? How do you speak to these skeptical browsers and let them know that your book is something they’d enjoy?

Writing good promotional copy is difficult. But it’s still just a kind of writing, so any writer should be able to learn to do it. It can be compared to learning to write in a new genre, and as such the learning process begins with examining the work of professionals in the field.

By reading many examples of good promotional copy for books, you’ll develop an “ear” for this particular brand of writing.

Speaking of genre, one of the things you’ll notice while studying promotional copy is that there are both similarities and differences in the copy written for books of varying genres. Just as different genres warrant different sorts of covers, the style of writing used in book descriptions will vary with different types of books. But the similarities between the copy written for divergent sorts of books is as instructive as the differences.

Some Examples

Here are links to the Amazon product pages for eight books; take a look at the book descriptions for each of the following.

First, a couple of best-selling thrillers:

Next, two classic Stephen King novels:

Two popular young adult novels:

And finally two recent successes in literary fiction:

Similarities in Professionally-Written Copy

Even though these novels clearly represent very different sorts of reading experience, the similarities in their promotional copy are obvious, and this points up some general rules to keep in mind.

  1. The Basic Structure of the Description
    In all of these examples:

    • the book’s protagonist is named (though in one case the “protagonist” is a family)
    • and there’s a brief description of the plot, focusing on some highlights of action or emotional intensity.

    In most of the examples, the final paragraph winds things up with a burst of hyperbolic praise. Those first two points — naming the protagonist and giving a brief summary of the plot — are pretty much universal and should be considered absolute requirements.

    In six out of eight of our examples, the closing paragraph of the description is a blatant sales-pitch, using superlatives to play up the book’s qualities.

    In the remaining two books there is simply a continuation of the plot synopsis, but with the final paragraph zooming in on the central source of tension in the story.

    A convention you’ll sometimes see recommended is to end the copy with a suspenseful question: “But will Dudley reach Nell in time to save her from the oncoming train?” This is something of an outdated cliché, and is rarely used by professionals these days. More common is to incorporate some implied question into the description of the rising tension of the plot: “But Dudley is running out of time, while the train bearing down on the helpless Nell is right on schedule!”

  2. Review-Quotes and Other Horn-Tooting
    With most of the books linked to above, the book description starts out with some mention of the author’s achievements or the book’s established success. This may not be an option for you, but if it is, by all means use it. If you can quote a review from a creditable source (that is, where the byline is something better than “Jane Doe, Amazon Reviewer”) or some impressive best-seller ranking, these are the ideal way to lead off your book description.

  4. Length
    The longest description among our examples is under 300 words and the shortest is under 100. A great many book descriptions from professional publishers are even shorter than this – under 100 words and only a single paragraph.

    When you’re writing a description of your own book, there’s going to be a natural temptation to go on at some length — to try to squeeze in some mention of all the fine points of your work. But too long of a description looks unprofessional and is likely to be counterproductive. After all, no one is interested in reading a book description for its own sake; people simply want to find out as quickly as possible whether the book they’re considering is one they’ll want to read.

    If you’re writing jacket copy for the back cover of a print book, you can get away with slightly longer text, but the general rule of brevity still applies.

  5. Some Universal Rules
    Looking at the items that most professional copy has in common, we can infer some general rules:

    • Be sure to name the protagonist; this draws readers in, giving them a feeling of connection with the book. Occasionally you’ll see one or two other characters named, but usually your copy will be too short for that to be a good idea.
    • Give a general outline of the plot, but don’t waste any words on a “book report” style description. You want to let readers know what sort of a book it is, but you want to tease them more than inform them. For this reason your plot synopsis should go only as far as the early chapters of the novel, setting the scene and describing the central conflict.
    • The final paragraph can be either a straight-up sales pitch or a continuation of the plot description that emphasizes the key point of tension in the book.
    • Quote reviews or mention other success, if you can.
    • Keep it short!


  6. Differences; Beyond the Universal Rules
    Moving on to the differences in the promotional copy for our sample books, we can see that the language of the text has been crafted for each book’s expected audience.

    The text for the literary novels is more sedate than for the more commercial fiction, so while the hero of The Da Vinci Code goes on a “breathless race through Paris, London, and beyond,” the protagonist in The Goldfinch “moves silkily” through drawing rooms and antique stores.

    But more interesting is looking at which points are singled out for praise in the various books:

    • In the literary novels it’s the writing skill of the authors that receives attention.
    • Action and thrills are naturally the selling points for the thrillers.
    • Horror and suspense are emphasized with the Stephen King books.
    • In the romantic The Fault in Our Stars the emotional content is stressed.

  8. The Focus of Your Description; What Are You Selling?
    This brings us to a crucial point: The purpose of your promotional copy is to sell your book, but exactly what aspect of the book should you be selling? What will your ideal reader most enjoy and appreciate about your book?

    Your book belongs to some genre, so you want to sell it by showing how it excels at whatever it is that readers love about that genre.

    If your book is a science fiction space opera, you should probably say that the space-battles are epic in scale and fiercely intense; while for a romance novel you might describe your characters’ emotions as deep, piercing, and overwhelming.

    Adjectives are your friend in writing promotional copy, and you mustn’t be shy about a little bit of hyperbole. Readers expect book descriptions to be at least a little over-stated, so don’t damn your book with faint praise. Even in the dignified and demure genre of literary fiction, we see terms like “thrilling,” “fearless,” “brilliant,” and “mesmerizing.” Fire up your word processor’s thesaurus and have some fun!


And that’s about it. Promotional copy is brief, so there’s not a lot of analysis that can be done with it. Again, probably your key tool in learning to write good copy is to study the work of others; to develop your writer’s “ear” for this sort of writing and allow yourself time to learn this new skill.

Can you think of any other considerations when writing promotional copy for a book? If so, let us know in the comments.

Karl BunkerKarl Bunker runs an eBook-formatting business at www.PrecisionEbooks.com. As a reader, self-publishing author, and eBook formatter he has been involved with eBooks and the world of self-publishing since long before the days of the first Kindle.

Photo: bigstockphoto.com. Amazon links contain my affiliate code.

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  1. Linda Cruise

    Thanks for all the great advice. I shared your article with my LinkedIn Group (Professional Writers & Editors’ Network), citing you fully.

  2. Gippy Henry

    Thanks for an informative article, Karl. Timing is everything, as they say. I will certainly check out these books as I begin my book description in a few weeks. Much appreciated.

  3. Michael Coady

    As someone who just epublished his debut novel on Amazon, this article is very relevant. Since my novel has several main characters and the story weaves between each one, I find it hard to come up with a one-paragraph summery. I will definitely try to put these suggestions to good use, especially the one about adding the sales pitch at the end. I hadn’t thought to do that. Thanks.

  4. Crystal Collier

    Great article and suggestions. I’m a fan of short descriptions and dangling suspense. I think the two things you have to accomplish with promotional writing are 1. Put a question in the readers mind, one they feel compelled to have answered, and 2. Present your material in a professional way that boosts their confidence in the quality of the work. Beyond that, it’s all icing on the cake.

  5. David L. Wright

    Great article; great advice. As you mentioned in the intro, these promotional copy ideas are pertinent to fiction books. You stated that the rules for nonfiction promotional copy are different, although there are some points in common.

    May I ask what the guidelines would be for nonfiction? I have written considerably longer promo copy for my nonfiction (investing) book. Based upon what I’ve read here, I’m considering condensing it; I’d like to hear your comments on this.

    • Karl

      Hi David,

      I haven’t made a careful study of nonfiction promotional copy, but I have a few thoughts on the subject:

      As one of the commenters here mentioned, putting the table of contents into your copy is often a good idea in nonfiction book descriptions. In some cases you may want to reformat the TOC with the chapters reworded and presented as bullet points, perhaps headlined with something like “This book will show you:”

      I believe that greater length in promotional copy isn’s as “risky” with nonfiction as it is with fiction. With fiction, there are at least two pitfalls: First, a long description in fiction may come off as egotistical; like a boor at a party, you can end up sounding like you’re convinced that everyone in the world would love to hear about every tiniest detail of your novel’s plot and characters. Second, in describing a novel you have to be careful not to give too much away; you want to whet your reader’s curiosity, but leave them feeling that the whole journey of discovery is still ahead of them — if they buy the book.

      In nonfiction, the reader’s objective is usually to learn something; quite a different goal from enjoying the artistry and entertainment value of a novel. So going on at greater length in the description isn’t so risky. Just keep in mind that potential buyers may stop reading your description at any moment, so be sure to get out the important selling points about the book early on, in the first paragraph or two.

      And it is possible for a nonfiction book description to be too long and detailed. I’ve often had the experience of reading a long review of some nonfiction book, and while the review was full of praise and the subject of the book interested me, the review covered the subject in enough detail so that I felt my appetite for that topic was pretty well satisfied by the review alone, and I had no desire to read the book. You certainly don’t want to fall into that trap with your book description.

  6. Jane V. Blanchard

    Wow, the timing on this article couldn’t be better. Thank you so much for making writing promo copy so easy to understand. I’ve bookmarked this post for future reference.

  7. Sandra Beckwith

    This is the best article I’ve ever read on this topic. Thank you so much, Karl. I’m going to share this with my networks so as many people as possible benefit from your excellent advice.

    Sandra Beckwith

    • Karl

      Thanks for the compliment Sandra! I’m glad you found the article useful.

  8. Rod Langevin

    Fantastic article. Perfectly timed. Thank you. Who would have thought so much strategy went into back cover copy?

  9. Kat Sheridan

    Thanks for letting me know that, Karl. I don’t do any uploading and the formatter I work with was still asking for that the ultra short versions. It’s not a bad idea to have one of those anyway, as a sort of elevator pitch or for blog interviews and such. And yes, the promo copy does change according to genre, but using goal/conflict is a good basic structure for most genre fiction.

  10. Karl

    You make some good points, Kat. I particularly agree about naming the hero/love-interest in romance novels. In general, not all fiction is going to fit into a protagonist+goal+conflict description, but that’s a good structure to keep in mind when it works.

    A note about Smashwords: Thankfully, you’re no longer confined to a 400-character description. For a couple of years now they’ve allowed an optional long description of up to 4,000 characters. A good thing, too — it can be quite a brain-twister to come up with a description and sales-pitch that fits into 400 characters!

    • J.M. Ney-Grimm

      The optional long description allowed by Smashwords only appears on the Smashwords site on the book’s product page there. The short description is what Smashwords readers will see when they browse the catalog. And many of the Smashwords partners – B&N, Apple, etc. – use only the short description.

      I create both a short description and a long description for each of my books on Smashwords. And I treat the short description as though it may be the only one seen by a reader – that is, I make it as compelling as possible.

      I create a long description, because when I browse the Smashwords site as a reader, when I see a book that interests me – the short description captures my attention – I’m always looking for more information in the long description. I’m disappointed (and usually click away), if the “long” description is just a repeat of the short.

      • Karl

        J.M., Barnes & Noble and the Apple iBooks store both use the long description they receive from Smashwords, as does the Kobo book store. The short description is still required by Smashwords, but I’m not sure which outlets use it, or if any outlets use it exclusively.

        One interesting point about the Smashwords short description: It goes in to the “metadata” of the eBook itself, so you’ll see it, for example, if you use Calibre and select the book in the library view.

  11. Kat Sheridan

    There’s some great advice here. Being able to write promo copy (a.k.a. blurb/cover copy/product description) is a skill every author should try to develop, just as they learn to write a synopsis, query letter, or elevator pitch. That said, for those in a hurry or frustrated by trying to learn it, I have a small business doing this for indie authors, and I’m happy to give away free advice.

    For fiction, it’s not only important to name the protagonist, but to identify their goal and conflict: “In order to grow the family farm [goal] comely spinster Nell Good body [protag description] agrees to marry the wealthy Snidely Whiplash. Too bad handsome Dudley Doright is dead set against her plan to provide new jobs for the villagers.”

    In a romance, I’d then go on to describe the hero, along with HIS goal and conflict: “Canadian Mountie Dudley Doright [the description provides more than just a name] has always wanted to marry Nell Goodbody [goal] in spite of the fact that she wants to clear acres of his beloved forest to expand her family farm into a booming agri-business [conflict].”

    Then wrap it up with a reason the two have to overcome their conflicts to meet a mutual goal. “But when Nell suspects Snidely is up to illegal activities in the forest, she has no choice but to turn to the law for help. As they race to stop Snidley, they discover more than the forest is in danger: their hearts are as well.

    For something that will be used as back cover copy on print, I try to keep it under 200 words. But this can be expanded for the full description on Amazon, which allows 4000 characters (note, characters vs. words). For me personally, I HATE wading through author praise and credentials at the beginning. Get to the description and add everything after that. If it’s part of a series, consider starting with a sentence or two that describes the series and this book’s place in it: “In this third entry in Susie Author’s heartwarming Canadian-set series, Love in the Wilderness, a headstrong spinster and her beau join forces to fight off a greedy timber baron!”

    Then the product description, then author praise, and again, if it’s a series, I’d probably list the other books in the series, in order, to make it easy for the reader to find them.

    On the opposite end of Amazon’s generous 4000 characters is Smashwords miserly 400 characters (characters, not words). Which is only a few sentences: “Beautiful Nell Goodbody just wants to grow her family business but Canadian Mountie Dudley Doright is concerned she’ll destroy the environment. She can’t abide do-gooders and he has no patience with insensitive corporations. But when they join forces to battle an evil land baron, they find more than the just the forest is in danger of going up in flames!”

    Obviously different genres have different “triggers” but mostly it’s protag, goal, conflict.

  12. Connie B. Dowell

    Great tips. I’m so glad you pointed out the “Will he do it?” question along with a better alternative. It’s something I’ve seen a lot in promo copy.

  13. Carol Fragale Brill

    Thanks Karl. I agree it’s hard for the author who knows every twist and turn of the plot to boil it down and to entice without giving away spoilers. What I found most helpful was reading many online descriptions and jacket copy from books in my genre.
    thanks for sharing your list

  14. Michael N. Marcus

    This is important and excellent but most of the advice and all of linked examples are for fiction. Nonfiction — maybe with no protagonist, plot, action or emotional intensity — need sales pitches, too.

    I include a list of chapters in my nonfiction descriptions.

    Also, on Amazon the “From the back cover” section can include blurbs so they don’t have to be squeezed into the description. Even an ebook with no real back cover can be given imaginary back cover contents on Amazon.

    “From the inside flap” is promo space, too.

    Take advantage of all the space that booksellers provide. It’s free and can be very useful.



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