My father, Roy Friedlander, was a printer who apprenticed in the Compositor’s union in 1933, and I grew up around books. Later, he would bring home chapbooks like these and other ephemeral printed pieces.
He worked his entire life in commercial printing, business forms printing, briefly at the New York Times and later as a teacher at the New York School of Printing. I think these books, almost exclusively by poets, short story writers and graphic artists, really appealed to him because they were so different than what printing usually meant for him.
Now that the holiday season is here, I started thinking how wonderful a gift a chapbook can be for a writer who wants to share her work with friends and family. It’s a way of bringing publication into your own hands, and of seeing at least some of your work in print. A well-designed chapbook, neatly produced and sewn up, would be valued by whoever received it.
What Is A Chapbook?According to The Chapbook Review, they are “slim, soft-cover books, usually inexpensively produced and independently published.” In fact, the form of a chapbook is largely undefined. Today, many poets use chapbooks to issue poems, assembling them by hand from pages they’ve printed themselves.
Although small presses may issue chapbooks that have been printed with engravings, lino cuts, or letterpress printing, none of these are required. In its simplest form, a chapbook might be a cover printed on slightly heavier, or colored, paper, with several folded sheets sewn inside the cover.
This simple and easy to produce “booklet” can easily become a vehicle for your creative prowess. Adding an illustration to the cover will make it more attractive. Look at line drawings, where there are no gray tones, for the best and most traditional match for your content.
What will you put inside your chapbook? The choices are pretty unlimited. I’ve seen lovely chapbooks with poem sequences, a single short story or essay, or a combination of poems, stories, and drawings. Sometimes the chapbooks have limitation statements inside the back cover which add an exclusivity to the production. This is a good place to sign the chapbook, if you want to add another personal touch.
Yes, It’s a Business, But There’s More To It Than That
We are usually very focused on publishing as a business, how to make good decisions about publishing, controlling costs, meeting schedules, and all the other necessities that enter into self-publishing as a business. Sometimes it’s refreshing to remind ourselves of the beauty and power of writing in its most unadorned form; the essence of writing as communication.
I particularly like the artisanal quality of these chapbooks. A writer becomes something of a self-publisher, and also a craftsman, as she chooses her work, arranges the pieces, prints her sheets and assembles the chapbooks. Many parts of her being come together to create these very personal creations, and the results speak of the individual attention that goes into them.
There is no more personal expression of the desire of a writer to self-publish than a chapbook, and no more direct way for the writer to bring their work to a small circle of intimates.
You can explore the intriguing and personal world of chapbooks, both those from small presses and ones created by individuals, as well as learn some of the history of chapbooks, and see another set of step-by-step instructions. Here are some links:
- The Poetry Resource Page Chapbook Contests
- The Chapbook Review, with “insightful reviews, provocative essays, and engaging interviews” relating to chapbooks
- From Stacie Naczelnik on Hub pages, How to Make A Chapbook: An Illustrated, Step-by-Step Guide
- From a course at MIT, Chapbooks: Definition and Origins
- From Brad’s Reader, Take Control and Publish Your Own Chapbooks