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	<title>Comments on: 3 Great Typeface Combinations You Can Use in Your Book</title>
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	<description>Practical Advice to Help Self-Publishers Build Better Books</description>
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		<title>By: Cover Page Design for the Dirt Poor and Graphically Challenged &#124; Indie Author Solutions</title>
		<link>http://www.thebookdesigner.com/2010/02/3-great-typeface-combinations-you-can-use-in-your-book/#comment-18543</link>
		<dc:creator>Cover Page Design for the Dirt Poor and Graphically Challenged &#124; Indie Author Solutions</dc:creator>
		<pubDate>Wed, 28 Dec 2011 16:23:23 +0000</pubDate>
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		<description>[...] went back to The Book Designer, and read 3 Great Typeface Combinations You Can Use in Your Book. While almost none of Joel’s 5 Favorite Fonts were actually included in my MS Word 2003 program, [...]</description>
		<content:encoded><![CDATA[<p>[...] went back to The Book Designer, and read 3 Great Typeface Combinations You Can Use in Your Book. While almost none of Joel’s 5 Favorite Fonts were actually included in my MS Word 2003 program, [...]</p>
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		<title>By: Stephen Tiano</title>
		<link>http://www.thebookdesigner.com/2010/02/3-great-typeface-combinations-you-can-use-in-your-book/#comment-17366</link>
		<dc:creator>Stephen Tiano</dc:creator>
		<pubDate>Wed, 09 Nov 2011 18:36:15 +0000</pubDate>
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		<description>Thanks, Joel. You&#039;re definitely one of my first go-tos when I&#039;m looking to read about the biz, book design, and typography. As for Janson/Jenson, at least the whole &quot;real Garamond&quot; debate hasn&#039;t arisen. You know, Granjon, Garamond, which is more like the &quot;real&quot; Garamond. That&#039;s why a book like Tracy&#039;s Letters of Credit makes such a good read.</description>
		<content:encoded><![CDATA[<p>Thanks, Joel. You&#8217;re definitely one of my first go-tos when I&#8217;m looking to read about the biz, book design, and typography. As for Janson/Jenson, at least the whole &#8220;real Garamond&#8221; debate hasn&#8217;t arisen. You know, Granjon, Garamond, which is more like the &#8220;real&#8221; Garamond. That&#8217;s why a book like Tracy&#8217;s Letters of Credit makes such a good read.</p>
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		<title>By: Joel Friedlander</title>
		<link>http://www.thebookdesigner.com/2010/02/3-great-typeface-combinations-you-can-use-in-your-book/#comment-17364</link>
		<dc:creator>Joel Friedlander</dc:creator>
		<pubDate>Wed, 09 Nov 2011 18:27:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.thebookdesigner.com/?p=4445#comment-17364</guid>
		<description>Thanks, Stephen, for weighing in on the Janson/Jenson confusion. Your blog is a great read for anyone interested in the day to day work of a book designer.</description>
		<content:encoded><![CDATA[<p>Thanks, Stephen, for weighing in on the Janson/Jenson confusion. Your blog is a great read for anyone interested in the day to day work of a book designer.</p>
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